Once again, the
silly superhero season is upon us.
As the Avengers prepare to battle that Ultron thing (at least in the U.S.; in some markets overseas the battle has already been joined), more superheroes will be coming out of the screens in the movie complexes and the toy stores and the fast-food joints and whatever other merchandising the companies have in store. There will be more this summer, this fall, this winter, next spring and on and on and on until the third for fourth decade of the 21st century probably. Back in the ’30s, ’40s and ’50s of the last millennium, we had been waiting for flying cars; instead we got flying Spandex-clad superheroes.
Superheroes or superhero-related shows haven’t all been relegated to the summer, television has had a bunch of such shows going on for a while to mixed success. But it’s summer, and that mean big, bombastic movies, and so we’re getting ’em, like ’em or not.
I suppose the big one is Avengers, Age of Ultron. I gather the plot is about Tony Stark screwing up and instead of making a robot mind to aid people instead makes one that decides to just replace them all. Leave it to the movies to tap into our collective angst: Big Important Thinkers such as Stephen Hawking and Elon Musk have been warning us that Artificial Intelligence might be a dangerous thing to be messing with. Yeah, when’s that ever stopped us?
As I’ve said before, I’m not all that charged up by superheroes. The stories just repeat themselves ’cause it’s easier to recycle an old villain that come up with a new one. I will to admit enjoying — and also being a bit surprised — by one or two or three. Captain America: The Winter Soldier mostly; to a lesser extent the first Avengers movie and The Guardians of the Galaxy. The latter two, though, were less interesting because they dealt with some amorphous threat from outer space while Winter Soldier stayed on Earth and dealt with real, imminent threats to privacy and government overreach. That made it more immediate and more topical, a rare thing in superhero movies.
As a tiny counterpoint to the big Marvel release this week, DC has been dropping trailers for its next big film, Batman v. Superman, which has nearly a year to go before we see the whole thing. No, it doesn’t look promising, but at least it does seem to be addressing a big issue from the end of Man of Steel, the wanton destruction of the city and the deaths of thousands. We’ll have to wait to see if it’s just a trailer-tease or if the issue is really addressed, but I like to think that the makers have been pressured to respond by the criticism about that ending. (Evidently the Avengers do sort of mention the destruction that occurred at the end of their first movie, but they’ve also evidently moved their battles overseas. Less of a problem if it’s some foreigner’s city that gets flattened.)
The Batman trailer also illustrates a pet peeve of mine (outside of being, dark, colorless, hopeless and dreary), and that’s how superheroes get a pass on the laws of physics. When Superman started in the comics, he was just a powerful man. He didn’t fly, he just leaped pretty far. Gradually, he gained the ability to fly (along with X-ray vision, super breath, super hearing, etc., etc., etc.) Now he not only flies, he hovers. How the hell does he do that? If science fiction writers tried to do that with their protagonist, they’d be laughed out of the convention unless they had a sound, plausibly scientific explanation. Even fantasy writers have to keep their magic consistent, so if they give the hero hovering ability, it better have a solid root in the general magic realm. So superheroes are neither SF nor fantasy, but a class of genre fiction all their own. Akin to myths, legends and gods — yea, verily I say unto you, superheroes are the new gods for the allegedly rational 21st century.
Despite what Warner Brothers, DC, Marvel and Disney would have you believe, those superheroes aren’t the only ones around. Other comics, other novels, even a couple of movies have explored more rational attempts at explaining superheroes and how they work. However, I’m going to focus on one, a series worth reading because it explores how having super powers can be a curse and how so-called heroes can have feet of clay. That’s the Wild Card series edited by George R.R. Martin and Melinda Snodgrass. There are several books out and the latest, Lowball, has just been published.
I also lied because I’m going to plug another different take on superheroes, and, yes, it’s my own book, Tyranny of Heroes. (This is my blog and I’ll shill my books if I want to.) My superheroes don’t mess around, they take over the word, they kill their enemies and they make sure everyone on the planet behaves themselves. And, of course, they change history, which is explored by an underground what we would call blogger, except the Internet is closely controlled by the Supers, so our underground writer has to resort to more prosaic methods. (Remember mimeograph machines?)
Information on getting the e-book is available at the right where you see the cover. (And, OK, I’ll admit it, I’m looking for some sales here. I think it’s a good book, and if you agree, please tell your friends. But please give it a try.)