In a galaxy where special effects allow knights in robes to battle with high-tech swords
So the 100th anniversary of the Star Wars movies has come …
Excuse me, not 100? Just 20? Huh – seems like a long, long time ago.
Maybe it’s because the known universe has been inundated with Star Wars-related stuff. The creators of Star Wars don’t want you ever to forget the films, which is why they re-release them every time new technology come along. When workable Smell-O-Vision finally reaches theaters, you can bet the odors that permeate Jabba the Hut’s lair will soon be wafting through the theater to your olfactory delight.
Some folks even have gone nostalgic in remembering where they were when the first film came out as if it was some sort of worldwide disaster. “Yeah, I was workin’ at my sewer job that year an’ I took my girl and we was blown away by it. We liked movie one and two, but the others kinda stank, knowhutImean?”
The wonder and excitement started right at the beginning when that huge spaceship rumbled over our heads bearing down on that poor little rebel ship, a scene that has become iconic in American film. Movie special effects had been slowly improving over the years, but the use of computers finally gave us believable spaceships. The later sequences of the fighters going up against the star destroyers (or cruisers or whatever, why does everyone fall back on the Navy for outer space terms?) enthralled us because they were new. Never mind that the battle tactics and physics were all wrong for outer space, it was a hoot to watch.
The story itself is as old as the hills; Joseph Campbell and all that, plus liberal helpings from Hidden Fortress, right down to the bickering servants. That’s OK, though, the hero’s journey story still resonates. Burying old plots under glittering special effects is a Hollywood tradition, especially these days. Look at Avatar.
Star Wars sometimes is called a western in outer space. No, it’s a fantasy, pure and simple. George Lucas knows fantasy, he does not know science fiction. Jedi Knights=wizards, light sabers=swords, Princess Leia=Princess Who Must Be Rescued, Darth Vader=Evil Dragon, the Force=magic, R2-D2 and C-3PO=dwarfs/comic relief, Han Solo=the expert swordsman/archer. Spaceships and blasters alone do not make a science fiction movie. Because of Star Wars, a lot of swordplay appears in so-called SF movies nowadays. Why? Because the filmmakers, harking back to days of ancient battles, likely consider one-on-one battles more honorable, or at least more visually spectacular. (Steven Spielberg parodies this when Indiana Jones simply shoots the tall guy with the sword. Was this barb aimed at Lucas?)
As I said, since that day 20 years ago, we’ve seen a relentless barrage of Star Wars movies, TV shows, Internet episodes, books, children’s books, dolls, toys, lunchboxes, bedsheets and who knows what else. It’s as if Lucas wants to expunge anything that doesn’t have to do with Star Wars (Star Trek especially). It’s not enough to make millions on the movies, he’s got to make billions with all that other crap.
I certainly wouldn’t want to live in the Star Wars universe. Beyond the lack of anyone in that universe having any sense of style (Jedi knights in bathrobes, anyone?) are the constant wars. A kid growing up seems limited to two choices as an adult: Storm Trooper or merchant. No art, science, exploration for the sake of exploration.
When Darth Vader first emerged from the smoke in part one—uh, part four—the first movie, I had hoped it wasn’t a human inside that carapace. I wanted whatever was inside to be more machine than man, that we would never see the being inside. Alas …
Let’s play a mind game here. Let’s suppose it played out as I had envisioned. Would it be a better film? Perhaps not, but it will be more intellectually satisfying. To me, at least.
Darth Vader is a creature formed out of pure malevolence and given life through manipulation of the dark side of the Force. Who gives it this twisted life energy? The Emperor. He’s physically small and we get only brief glances of his face. He stays in the background, rarely seen, but rules through terror and fear with his loyal surrogate as his enforcer. (This would need a stronger back story that just someone trying to take over an Imperial Senate, but one thing at a time, please.) Obi-Wan Kenobi and Yoda are hiding in their miserable little holes because they cannot stand against Vader. They tried soon after he was created and both suffered serious damage physically and mentally. Then along come this farmboy who not only revives old memories but demands his right to vengeance for the torture-murder of his mother and the death of his father. Kenobi and Yoda tremble at the idea.
Kenobi sacrifices himself on the Death Star to save Luke, Leia and the others, but it’s not a quiet death. He dies screaming as Vader not only pierces him with his light-saber but tears Kenobi’s mind apart with blasts from the dark Force. Even though the blast door slams shut as in the movie, Vader turns his energy on it and begins burning his way through. Luke screams at Han to get the hell out of there, but Han sort of ignores him until Leia – who can feel the malevolence, too – grabs Han by the neck and says “Get us the fuck out of here now!” He does, but barely.
In the attack on the Death Star, Vader doesn’t need wingmen, he just plows through the rebel fleet (maybe he doesn’t even need a ship). Vader is just about to smash Luke, but hesitates because the Emperor feels the Force around Luke and is puzzled. The hesitation is just long enough for Han to do his just-in-time schtick. (And it takes much more effort to destroy the Death Star because in my universe, the architects aren’t dolts.)
Yoda is reluctant to train Luke not because the boy is clumsy and ADD, but because he is too powerful. “Too much like his father, he is. From this will come disaster.” Luke does falls into the trap Vader has set. Vader toys with him while the Emperor confirms what he’s been suspecting. Luke is is barely clinging to life when the visage of the Emperor appears ‘twixt Luke and Vader. “You do not have to die, Luke,” the Emperor says. “Come with me. I can heal you, I can give you power undreamed of. You have it in you already, for I am your father.”
Cue denial scream, fall through the vent tunnels, rescue by
Han Han’s friend who betrayed him to Vader Leia, Chewbacca and the ‘droids.
In the final confrontation in the second Death Star, Vader again blasts Luke all over the place. The Emperor says all he has to do is acknowledge him as his father and the pain will stop. Luke refuses, but on the point of death, lets slips a thought about his his relationship to Leia.
“A sister!” the Emperor growls as lightning flashes around him. “I was deceived! Twins! Well, shall we have a reunion?”
The Emperor learns through Luke where Leia is. (And no, she’s not fighting alongside teddy bears to destroy the shield generator for Death Star 2.0. My smart architects and engineers know the best place for a shield generator is inside the shield it generates.) He dispatches Vader on a shuttle and after a brief skirmish captures Leia but brings Han as a bonus. Both are dumped before the Emperor. Han is chained to something and rages helplessly as the Emperor tortures Leia. “I offer you both power! I offer you life! I offer you a universe beyond your wildest imaginings! Acknowledge me or die horribly like your mother did. Oh, she lasted a long time, but there wasn’t much left when I got through. Leia? No? Luke? No? Then die, die, I made Vader, he’s my future, I don’t need either of you!!”
Leia’s screams ignite something in Luke. For an instant, his eyes reflect the look of the dark side, the eyes of the Emperor. The Emperor gloats for that second, but Luke reaches down inside to the lessons of Kenobi and Yoda, to the farm where his aunt and uncle were mercilessly slaughtered, into his soul that’s on the brink of being destroyed. He roars, breaks off the mental energy that had bound him. In a savage fight, he destroys Vader, tears him apart the way Vader did Kenobi. The Emperor is the one screaming now, and with Vader gone, he is diminished. Luke doesn’t hesitate, he grabs the Emperor and hurls him down the reactor shaft where he’s destroyed with the sound of a moth hitting a bug zapper. Luke’s body shakes as he wrestles with himself over which side ultimately will win. He dashes over to Leia, cradles her in his arms, finds she’s still alive, whereupon he relaxes, knowing the bright, good thing did survive and there’s hope for him, too. He can’t help himself: he weeps.
Now that’s a hero.